Enormous, scooped, endlessly sustaining. Solo tone in a box — and a rhythm nightmare in a dense mix, which is precisely the trade you're making.
The template for British rock. Little gain on paper, enormous attitude in practice — the crunch happens because the power section is being asked to do something it barely wants to do.
The most adaptable electric guitar ever designed. Three single coils, a five-way switch and a vibrato that rewards a light touch — it covers Hendrix, Gilmour, SRV and Mayer without ever pretending to be more than a plank, a neck and some wire.
Dark, degrading repeats that sit behind the note instead of on top of it. Set short for slapback thickness, long for atmosphere, and never louder than the dry signal.
Not really a distortion — a midrange lens. Set the drive low, the level high, and it turns a decent amp into a focused one. Half the blues and metal tones you love have one in front of the amp.
One knob, one job, instantly recognisable. Sitting after the gain it adds that swirling movement to a rhythm part that flat DI-style tones never get.
Dark, degrading repeats that sit behind the note instead of on top of it. Set short for slapback thickness, long for atmosphere, and never louder than the dry signal.
