One split pickup, one job, done perfectly since 1957. A P-Bass with flats sits under a guitar tone instead of fighting it — which is exactly why it's on more records than anything else with four strings.
A serious working guitar built around speed, stability and high-output rock tones. The compound-radius neck makes fast legato feel effortless, and the bridge humbucker is voiced tight enough that palm mutes stay defined under heavy gain instead of turning to mush.
The most adaptable electric guitar ever designed. Three single coils, a five-way switch and a vibrato that rewards a light touch — it covers Hendrix, Gilmour, SRV and Mayer without ever pretending to be more than a plank, a neck and some wire.
Mahogany, maple and two humbuckers — the recipe behind most of the riffs you learned first. Heavier and darker than a bolt-on, but it pushes an amp's front end in a way nothing else quite replicates.
